Aristotle puts forward that for an individual to quality a hero in tragic context the character must draw a sense of fear or pity from the audience. Therefore, Othello is not merely a victim of malicious circumstances as he might have been if he had, for example, lost a wife had been hit by a lightning or cruelly murdered by robbers.
It is hardly likely that even a combination of all these would be equal to what Aristotle considered to be a serious hamartia, and he exhibited any of the failing mentioned above.
The scheming Iago finds another loophole to attack Othello asking Cassio to ask Desdemona to talk with Othello so that he can get his job back. This recognition, that is defined by Aristotle as the anagnorisis that is accompanied by peripeteia the reversal of fortune are hitched well in Oedipus Rex as they occur simultaneously.
Othello is shown to be the honourable and noble Moor who has overcome great adversity, and yet by the climax of the play, he has sunk into a murderous fit and strangles Desdemona. A conversation follows between Othello and Iago, in which Iago continues to imply that he knows something that he refuses to divulge, Othello denies that he would give himself over to jealousy.
The pity for Othello even exceeds the feeling for Desdemona who is merely a victim; she does not have to suffer the pangs of conscience for what she has done. To Brabantio, Desdemona pretended to be afraid of Othello's dark looks; she pretended to shake and tremble at Othello's exotic demeanor, yet "she lov'd them [Othello's features] most" He also raises fear as a man capable of such a savage revenge, killing a wife on the spot for the alleged adultery.
Student Answers unspeakable49 Student A tragic hero must be one who is an essentially good man and makes some error in judgement that causes his downfall. In particular, the hero in the tragic unfolding should not come out as the villain or as some wicked character for his or her fall.
It seems that even at the time of more stringent morality such as mediaeval Italy not every husband would go that far as to kill the adulteress. Hamlet, for instance, has to deal with the betrayal of his father-in-law and mother.
At the same time pity is not the only feeling Othello evokes in the readers or viewers. He never acts dishonestly or cowardly throughout the play; in fact, nobility is one of the most important features of his character.
The evidence before her own eyes backs up her assessment. However we get no indication of this in the play. Iago goes ahead to convince his wife to take the handkerchief Othello gave to Desdemona to use it as bait into tricking Othello.
There are many undesirable traits in Othello, like his jealousy and gullibility. There several possible explanations for this apparently surprising behavior.
We are also shown that Othello is calm and collected, as well as just and rational in the face of accusations or panic. Still Othello knows the pull of love and asks for poison so that he might kill her at a distance, but he sees justice in Iago's idea of strangling her in her bed, imagining that she has dishonored that bed.
Othello stands out from other tragic heroes, because he falls through his own flaw and yet his flaw is so minor that is incomparable with the misfortunes he suffers.
One of the most intriguing pieces of literature is his description of a tragic hero in so many of his poetic works.
An essentially good feature, it is taken to extremes in Othello, which causes his demise. At the end of the play he chastises himself with bitterness, confessing that his ruin was brought about by his own failure: Othello jealous about his wife; Bianca jealous about Cassio; Iago formerly jealous about Emilia.
When Iago cast away this fictitious idealism with his evil designs, he is merely strengthening what Othello considers profoundly to be thoroughly possible i. University of Michigan Press. The audience connects with Desdemona innocence and the trickery played on the Othello by Iago leading him to kill his wife and at the end taking his life.
As a requirement from the Aristotle second trait since the tragic hero is a human being, it is of the essence for them to makes judgmental errors or have a flaw in character.
Shakespeare's Othello - Desdemona the Wonderful Essay - Othello: Desdemona the Wonderful The innocent and charming personality of the wife of the general in William Shakespeare’s tragic drama Othello can hardly be rivaled – and yet she died the victim of a horrible murder.
Othello, characters, shakespeare, Desdemona the Wonderful The innocent and charming personality of the wife of the general in William Shakespeare’s tragic drama Othello can hardly be rivaled – and yet she died the victim of a horrible murder. and this flaw determines their fate.
Othello is a tragic hero with a tragic flaw in one of. Othello: The Tragic Hero In William Shakespeare's Othello, Othello is the tragic hero. He is a character of high stature who is destroyed by his surroundings, his own actions, and his fate.
He is a character of high stature who is destroyed by his surroundings, his own actions, and his fate. Tragic Hero in Othello by William Shakespeare Essay examples.
Shakespeare appears to present Othello as tragic hero, exposing his tragic flaw, which consequently leads to his downfall, through his use of language, structure and form. The Role of Women in Othello by William Shakespeare Shakespeare's Othello is commonly regarded as a work. Shakespeare’s Tragic Flaw.
[a Literary Treat] by Abha michaelferrisjr.comS concocted with decent science When ARISTOTLE the noble treatise design Brooded the BARD with ionic pen Borrowed the flaws from Poetics den. Page5/5(23). Othello also possessed these moral flaw and his tragedy only comes due to these moral flaws, So according to Aristotelian conception, Othello is a tragic hero as he is a larger than life character and has tragic flaws that bring his destruction.Tragic flaw and misfortune in the characters in othello by william shakespeare